A good beta reader can save you time and money before you hire an editor....a bad one, not so much. Here are my tips on where to find beta readers, what to avoid, what to ask, and how to make the most out of working with them.
Read MoreThese are the books on writing that have helped me and my clients get published.
I’m a sucker for a good writing how-to. I’ve picked up dozens over the years, and no matter how many books I’ve purged over my 21 moves between cities, states and countries, I can’t get rid of a single one on writing.
Read MoreI want to help you edit your book the easy (well, easier or somewhat less hard) way. If anyone tells you writing, editing, or publishing a book is easy, they’re trying to sell you something.
Read MoreGod knows I do. I think about this all the time, so when Lauren Groff famously refused to answer the Harvard Gazette’s question about work-life balance, I was thrown. Like many of us, I cheered her on, but I was also frustrated. I reached out to some of the most prolific writing mothers (mothering writers?) I know and asked what advice they had for us.
I came home and fell into a serious funk. So did my husband. It took us more than a week to shake it off. (If I’m completely honest, I’m still not 100% back. In a minute I’ll get to how I’m addressing it and ask for your suggestions.) Here’s the weird thing, we were especially thrown by our malaise because we’re both lucky enough to LOVE our work and our home and our neighborhood, and now that we’re back home we aren’t sharing an itty bitty stateroom with two kids. So, why?! Why were we so deeply burned out on our lives mere days after returning from a restorative vacation?
Read MoreNope. You don’t. You definitely, absolutely, 100% do not have to write every day to be a writer.
So why do some writers claim you do? Because they do. It’s fabulous that they can sit down and write every single day of their life. Plenty of successful authors do that. Plenty of successful authors don’t.
If a daily schedule works for you, beautiful. But if it doesn’t, that’s okay too. Like athletes, many of us need breaks to recover, adapt, recharge, and prevent burn out.
Want some proof?
Read MoreThe only platitude I’ve heard repeated as often as “show don’t tell” is “you need a thicker skin.” Nonsense. You need a better rebound.
Read MoreIf you want to sell your book to a major New York publisher, you need an agent, no question. As with anything in life, there are rare exceptions, but do you want to drastically narrow your chances in hopes of winning the lottery? If so, why? A good agent has relationships with editors and publishers, they know who’s looking for what, they know how to sell a book, they know how to negotiate a good contract, and
Read MoreYou’re trying to juggle a dozen things at once – an unforgettable first line, a fresh voice, an original theme, complex characters, mood and tone and conflict and a sense of mystery, and so on and so forth. In so doing, there’s a good chance you’ve inadvertently lost the most important element of all – clarity.
Read MoreOnce upon a time, I was a magazine editor with an inbox full of pitches from writers and publicists. Many of the senders probably submitted those queries and imagined me waiting for them to come in, reading through each one carefully to decide whether or not it had merit.
Here’s what was really on my mind each time a new pitch pinged through:
Read MoreRejection sucks. Writer’s block sucks. Burnout sucks. And yet, they’re all part of the job. Below are some super quick and simple exercises designed to make you feel creative, capable, and alive.
Read MoreRejection is a cost of doing business. This is true not only for writers and other creatives but for anyone courageous enough to live wholeheartedly.
You can minimize it by
Read MoreI spend a lot of time encouraging writers to reach into their hearts and get out of their heads (those inner critics are serious assholes). Only, there does come a time to unleash your intellect. That time is called revision.
These are my own tried and true techniques for revising without getting overwhelmed.
Read MoreWhen being turned down by literary journals and literary agents and magazines and book publishers, my grad school friends and I would console ourselves by saying, “at least we’re not trying to make it as models.”
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